I remember being in a hotel once, and scrolling through channels and saw a concert channel playing a Bruce Springsteen show. And he’s sitting at the piano doing a little monologue about the song, and he doesn’t say douche, but refers to a cover (the Manfred Mann version) and it using “feminine products” instead of deuce, which is what he wrote.

I don’t know what Manfred said, but even the Boss thinks he said douche.

Yeah! That was so metal! It also made me think she keyed her name into the side of the truck, which would be much more visible.

That’s Skate 3! That ditch run was one of my favorite spots. The cow thing is a mod though

But if there are infinite guests, could he not have a reservation?

And a Merry Toyotathon!

It was randomly put in a radio playlist spotify made for me. I was told the band was good, so I heard the fox, the crow, and the cookie, then january 1979, then 9:27 am, so by the time i heard dormouse I didn’t know what to expect.

The song itself, it’s just weird and dark. It could just be me, but some songs just grab me. It’s, maybe not cinematic is the right word. But it’s powerful, it feels like something is happening over the course of it. And I like songs like that, especially apocalyptic types. Another good example is The End of the World by Aphrodite’s Child. It just puts me in a mood. Set next to a folksy jam about a bird stealing pastries, I was just really interested in it and the guy writing it.

It’s very different, but [dormouse sighs] fascinates me

S